lacuna (linguistics), a lexical gap in a language | lacunae [plural]
Is the meaning of your artwork dependent upon specific references to a language or culture?
Do you feel that your artwork is best understood when interpreted by those who also share or know about a culture? Or when viewed by those who also speak a specific language?
Do you feel that there is a gap of understanding when English-speakers interpret your artwork?
The Stamp Gallery at the University of Maryland invites you to submit images of your work to its second summer exhibition, Beautiful Lacunae.
Sanskrit, the sacred language of Hinduism that is still spoken in parts of modern-day India, has 96 words for different forms of “love.” Some languages in Australia, Papua New Guinea, and Asia do not have words for “color,” but all have words to describe the seen world (1). Artists who speak languages that read right-to-left often create visual narratives that also read right to left.
Beautiful Lacunae asks us all: how does language affect an artist’s production of art? How does it affect a viewer’s interpretation?
What are the gaps between these experiences?
Beautiful Lacunae will provide a platform for artists to present work related to a language or culture in its most natural, intended form. Labels will be written in the language that the artist chooses, and a pop-up library—created collaboratively with exhibiting artists—will be available for visitors to investigate cultural references further.
Artists are encouraged to submit 2-D or 3-D work in any medium, including digital, installation, performance, text, and sound. Size of entries are restricted to the size of the Gallery space: please email for Gallery dimensions. There is no entry fee.
TO SUBMIT: Please email the following to firstname.lastname@example.org with title “Beautiful Lacunae Application – [Name].”
Up to 10 images of your work. If video or audio recordings or documentation are essential to your proposed body of work, clips should be shared as a link to a streaming site (with passwords provided as necessary).
Image list with title, date, materials, dimensions in inches, and any relevant specifications for installation or equipment necessary for the presentation of the work.
Link to artist website (if applicable).
All submissions must be received by
May 21. Deadline extended to June 4. Accepted artists will be notified mid-June.
QUESTIONS: Grace DeWitt at email@example.com.
1 Anna Wierzbecka, Journal of the Royal Anthropological Institute
Application Deadline *EXTENDED* |
April 3, 2017 New deadline: April 14, 2017
Notification Date |
Mid-April 2017 Late April / Early May
Exhibition Dates | June 5–July 28, 2017
ABOUT THE EXHIBITION
Fueled by an interest in the notion of art as a means of catharsis, the organizing curators seek artists whose work figures into a narrative about personality, process, and release. Whether art-making amplifies emotions or mitigates them, all creative endeavors echo one step in the process of self-exploration. We invite works in all media that examine, highlight, or challenge the relationship between art and the fluid mind, perhaps by contemplating creativity as a means of therapy. We aim to cultivate a generative and introspective exhibition space that encourages visitors to reflect. The curators are intrigued with the following questions: How does the practice of making art participate in (or disrupt) the process of personal development? Can art adequately translate the variable ways conceptions of “self” operate? How does creativity alleviate or intensify emotion? In what ways does art comment on–and participate in–mental health and self-care? To what extent is art a mouthpiece for the mind in flux or an independent and evolving entity?
The curators will select a small group of artists whose work they feel critically and creatively engages the exhibition concept outlined above to show their work at the Stamp Gallery, a contemporary art space located in the University of Maryland-College Park’s Adele H. Stamp Student Union–Center for Campus Life. Any existing works must have been completed within the last 2 years to be considered. Undergraduate artists are strongly encouraged to apply.
This exhibition is the Stamp Gallery’s annual undergraduate-curated show. Previous exhibitions in the series include:
Paradise Now : A game of unequal circumstances and varying objectives by Baltimore-based artist Kimi Hanauer, featuring collaborations with Sydney Spann, Michael Stephens, and Nikki Lee, curated by Christopher Bugtong (Computer Science and Film Studies ’17), Grace DeWitt (Animal Science and Studio Art ’17), and Shay Tyndall (English and Mandarin Chinese ’17)
In Response: An exhibition showcasing the artwork of University of Maryland undergraduate students inspired by contemporary artists featured in the Contemporary Art Purchasing Program of the Adele H. Stamp Student Union, curated by Genesis Henriquez (Graphic Design ’16), Korey Richardson (Studio Art ’16), Shay Tyndall (English and Mandarin Chinese ’17)
Magnified : An exhibition of work by artists Chip Irvine, Michael Sylvan Robinson, curated by Carmen Dodl (Geographical Sciences ’16), Geena Gao (Information Systems and Economics ’16, and Martine Gaetan (Romance Languages ’15)
We are looking for artwork in various media, including painting, drawing, sculpture, photography, printmaking, installation, video, and performance.
We also welcome proposals for creative or interactive projects inspired by the exhibition concept from individuals or groups working in other fields such as music, film, and poetry.
Tasiana Paolisso, B.S. Architecture 2018
Inspired by her mother’s creativity and artistry, Tasi is a junior architecture student who aspires to design museums and galleries. Her commitment to the creative world is evident in her performing arts position at The Clarice and her docent experience at the Stamp Gallery.
Sarah Schurman, B.A. English 2017
Driven by artistic curiosity, Sarah joined the Stamp Gallery team to facilitate creative engagement on campus and explore endless perspectives. She finds both catharsis and motivation through her studies and extracurriculars, particularly her education/literature coursework, executive board membership on The Vagina Monologues, and her time spent working with kids.
Applicants must submit :
- Artist’s Statement about specific works being submitted
- Link to artist’s website (if applicable)
- Proposed works with title and short description (up to 200 words), year of production, and medium)
- Digital documentation of work
- 5-10 images/files (JPEG 72 dpi)
- video/audio clips should be shared as a link to a streaming site (with password information as necessary)
PLEASE SUBMIT TO : firstname.lastname@example.org
Artists are responsible for delivering finished work to the Stamp Gallery by May 30, 2017 and for picking up their work from the Stamp Gallery no earlier than the close of the exhibition on July 28, 2017 and no later than August 4, 2017.
ABOUT THE STAMP GALLERY
The Stamp Gallery is dedicated to the exhibition of contemporary art with an emphasis on the work of emerging and mid-career artists. The gallery supports contemporary art that is challenging and/or academically engaging and that addresses broad community and social issues. The gallery serves by providing exhibitions of social responsibility and artistic substance, as well as by offering an educational forum in which dialogue between artist and viewer and art and community is encouraged.
The Stamp Gallery is located on the first floor of the Stamp Student Union (1220 Stamp Student Union, The Adele H. Stamp Student Union – Center for Campus Life, University of Maryland College Park, 20742). 301-314-8492, email@example.com
Summer Hours: Monday–Friday: 11 am until 6 pm